2024 Ways of Knowing, Centre of Contemporary Art, Christchurch
2019 Apples & Oranges, w/Ophelia King, Laurel Gallery, Dunedin
2019 Gathered Vernacular, Rm Gallery, Auckland /solo/
2018 Boldini’s Line - Compression Members, Dunedin Public Art Gallery /solo/
2016 Pastoral Scheme, Blue Oyster Art Project space, Dunedin /solo/
2016 Shared Ruin, w/Kristina Tsoulis-Reay, Sutton Gallery Project space, Melbourne
2016 Parlour Games, Wallace Arts Trust, Pah Homestead, Auckland /group show/
2016 Realising Stuff, Glovebox, Ak /groupshow/
2016 A Revolution has to start somewhere, Hamilton /group show/
2015 A Modest Addition, w/Claudia Jowitt, George Fraser, Auckland
2015 Future Home of Stucco Monstrosity, Man Friday Projectspace, Christchurch /solo/
2015 Three's Company, w/Ophelia King & Nina Lloyd, Rockies, Auckland
2015 Hey, Cutie, w/Ophelia King & Nina Lloyd, Pilot, Hamilton
2014 Irrational Interior, Fuzzy Vibes, Auckland /solo/
2014 Terrace Setting, w/Yolunda Hickman, Rm Gallery, Auckland
2014 Facade Charm, w/Amber Wilson, Window Gallery, Auckland
Selected Texts
Hey, Cutie - Peter Dornauf for #500words
Hidden in Plain Sight - Lance Pearce for Eye Contact
Architectural Intervention - Amy Weng For Eye Contact
10 things I like about Terrace Setting - Emil Dryburgh - Terrace Setting catalog
Pastoral Scheme - David Eggleton for Art New Zealand
Two Buildings - Exhibition Essay, James Hope for DPAG
Vistas and Ruin - Amy Weng For Mayfair Art Fair
Education
2013 Masters Degree, Elam School of Fine Arts
2012 Post Graduate Diploma, Elam School of Fine Arts
2005 Bachelor of Fine Arts, Elam School of Fine Arts